150 Years of
Liberty London
Introduction
Arthur Lasenby Liberty opened his emporium in 1875, importing far Eastern silks & goods to the London elite on Regent’s Street. His flagship store was created soon after, made from two Victorian warships, the HMS Hindustan and HMS Impregnable. The iconic department store was built in mock Tudor style, with a 4ft, 112lb gilded galleon weathervane as a nod to the historic building materials.
Ever since, Liberty has been a champion of art and culture, and is synonymous with the Modern Style.
Victorian Jewellery
The Victorian era saw many different types of jewellery design.
In the 1870s, Victorian jewellery was heavily influenced by Queen Victoria in mourning.
Bold, black jewellery with memorial elements was in vogue.
Ref: C9289T
A pair of late Georgian / early Victorian amethyst drop earrings. Featuring a pair of large pear cut amethysts, hanging with articulation from an oval cut amethyst and a further amethyst stud. The stones are surrounded by gold filigree and embossed scrollwork, with a closed back typical of the era. The earrings have been adjusted with modern screw back fittings.
These glorious earrings are a fabulous colour, with rich red and purple tones running through the stones. The earrings themselves make a huge statement when worn, with the gold borders highlighting the rich hues of the amethysts.
Era: Georgian, Early 18th Century.
Metal: Earrings: Test 18ct Yellow Gold. Screw Fittings: Stamped ‘10K’, Tests 10ct Yellow Gold.
Stones: Amethyst.
Fittings: Screw Back Fitting.
Dimensions: Length: 6.50 cm. Width: 2.75 cm.
Ref: X0112T
An antique amethyst curb link chain with an elegant and substantial presence. Featuring exaggerated links with softly faded engraved detailing that speaks to its age and character. The necklace is finished with a distinctive six sided plaque clasp. Set with a round cut amethyst at the centre, weighing approximately 0.79 carats and measuring around 6 mm. The amethyst is securely held in a refined six claw setting in yellow gold, adding a subtle touch of colour and refinement to the design.
A striking antique piece that combines bold design with refined detail and enduring style.
Metal: Tests 14ct Yellow Gold.
Stones: Amethyst: 0.79ct.
Fittings: Integrated Push Clasp.
Dimensions: Length: 38 cm. Chain Width: 6 mm. Clasp: 20 x 16 mm.
Ref: X0133A
A Victorian gold bracelet. Featuring textured close curb links, the bracelet is finished with a finely crafted solid gold axe motif, adding a distinctive touch to this substantial piece. Each link is hallmarked for 18ct gold and dated dated 1858–59.
This bracelet dates to the late 1850s, during the height of the Victorian era, a period celebrated for its elaborate symbolism and devotion to intricate goldsmithing. Jewellery from this time often carried hidden meanings and motifs. The axe in this bracelet symbolises strength and protection. The piece is solid, with an incredible heft, and each link is dated 1858–59. The bracelet’s texture is what makes it extraordinary, every surface catches the light giving the gold a living quality. The gold axe charm adds a unique sculptural element, turning a piece of fine jewellery into a statement of character and story. This piece is handmade, and an incredible example of the period.
Era: Victorian, Dated 1858-59.
Metal: 18ct Yellow Gold. UK Hallmarks.
Fittings: Spring Clasp.
Dimensions: Length: 20 cm. Including Axe: 23 cm.
Ref: C8534T
A Victorian opal and onyx brooch. Carved from one piece of onyx in the form of a Maltese cross. At its centre sits a round cabochon opal, claw set in yellow gold. Crafted with the bold elegance characteristic of Victorian mourning jewellery.
This piece can be worn as a brooch, or as a necklace, by running a ribbon through the fixed bars to the reverse.
Era: Victorian.
Metal: Tests Yellow Gold.
Stones: Opal: 0.50cts. Onyx.
Fittings: Pin & Hook. Necklace Fitting.
Dimensions: Length: 4 cm. Width: 4 cm.
Ref: X0102T
This antique gold hairpiece features an octagonal shape, and is rounded to contour smoothly to the shape of the head. The barrette consists yellow gold borders beautifully decorated with an engraved foliate motif. Inside the inner border is a gold wire design adding intricate detail to the piece.
Era: Victorian.
Metal: Stamped ‘14K’ Yellow Gold.
Fittings: Clip with Safety Catch.
Dimensions: Measures: 9.5 x 3.8 cm.
Ref: R1115A
An antique carved agate shell brooch. Featuring a banded agate, with black, light blue, and brown banding carved into an oval shell shape. Offset in the centre of the shell is a single, old mine cut diamond. The shell is set with a gold brooch fitting.
This unusual piece is expertly hand carved, and a wonderful example of sculptural jewellery. The diamond its in the shell like a pearl found in an oyster, a mystical treasure waiting to be found. A one of a kind, antique brooch.
Era: Victorian.
Metal: Tests 9ct Yellow Gold.
Stones: Diamond: 0.70cts.
Fittings: Pin & Hook.
Dimensions: Measures: 35 x 25 mm.
Ref: C8262T
An antique fleur-de-lys pin. Featuring a fleur-de-lys set with twenty-one seed pearls, attached to a yellow gold pin.
The fleur-de-lys was depicted on the traditional coat of arms of France, from the middle ages through to the French revolution. The symbol came back for brief periods during the 19th Century, about the same time this pin was made. This brooch is beautifully made, with bright seed pearls.
Metal: Tests 9ct Yellow Gold.
Fittings: Pin.
Dimensions: Head: 15 x 15 mm. Pin: 5 cm.
Ref: C8261T
An opal and pearl pin. Featuring a round cut opal, surrounded by a stylised swirl of seed pearls. The brooch is finished by a polished gold pin.
This pin centres around a wonderfully playful opal, with a beautiful play of colour. The pearls highlight the brooch, and make the pin stand out when worn.
Era: Victorian.
Metal: Tests 9ct Yellow Gold.
Stones: Opal. Seed Pearl.
Fittings: Pin.
Dimensions: Head: 10 x 10 mm. Pin: 4.5 cm.
Ref: C8272T
An antique shell pin. Featuring an oval shell, naturally banded with brown and white stripes. The shell sits in a delicate, gold claw setting and leads to a polished gold pin, with twisted detailing.
This striking pin takes its beauty from nature, showcasing a delightfully banded shell. The Victorians took inspiration from the natural world around them, and it could be that this shell was custom made as a memento from a seaside holiday.
Era: 19th Century.
Metal: Head: Tests 14ct Yellow Gold. Pin: Tests 9ct Yellow Gold.
Stones: Shell.
Fittings: Pin.
Dimensions: Shell: 8 x 14.5 mm. Pin: 6.5 cm.
Ref: C8283T
An antique garnet pin. The pin features a pear cut garnet, bezel set in yellow gold. Surrounding the garnet is a textured snake, coiling around itself. The garnet leads to a polished yellow gold band.
The Victorians loved using symbolism in jewellery. Snakes have been revered for millennia, often symbolising love, health, and immortality. Snakes are also used to represent eternity, especially when it wraps around itself. Queen Victoria’s engagement ring was two snakes overlapping, representing the eternal love from Alfred. The garnet symbolises trust an commitment, suggesting this pin could symbolise an eternal friendship, or love.
Era: 19th Century.
Metal: Tests 14ct Yellow Gold.
Stones: Garnet: 1.30cts.
Fittings: Pin.
Dimensions: Snake: 10 x 15 mm. Pin: 6 cm.
Ref: C8270T
An antique, enamel tiger pin. Featuring a polychrome enamel tiger head, set with old cut diamond eyes. The tiger has its mouth wide open, with an old cut diamond perched between its teeth. The head sits on a polished yellow gold pin.
This beautiful tiger is full of character. The enamel has been expertly done, with black and orange stripes blending into the soft cream colour of the snout. The diamonds add sparkle to the piece. An original, antique pin.
Metal: Tests 14ct Yellow Gold.
Stones: Diamond: 0.07cts. Enamel.
Fittings: Pin.
Dimensions: Head: 16 x 15 mm. Pin: 6 cm.
Ref: C8281T
An antique, carved coral dog stick pin. Featuring a carved coral depicting a leaping dog. The coral is set on a polished gold pin, with twisted detailing.
This leaping dog is wonderfully carved, with beautiful detail and plenty of character. The coral is a beautiful, deep colour, and is sure to stand out on any lapel. A one of a kind, antique piece.
Metal: Tests 14ct Yellow Gold.
Stones: Coral.
Fittings: Pin.
Dimensions: Coral: 30 x 15 mm. Pin: 6.5 cm.
Ref: C8271T
An antique pearl dove pin. Featuring a textured yellow gold dove in flight, holding a single, white, round pearl in its mouth. The pearl is five claw set in yellow gold and hangs with articulation. The dove is fixed to a polished, yellow gold pin.
Era: Victorian.
Metal: Tests 9ct Yellow Gold.
Dimensions: Dove: 1 x 2 cm. Pin: 6.5 cm.
Ref: K7393A
A Victorian bug brooch in its original box. Featuring a delicate fly, set with old cut diamonds in the wings and body, and a single, round cut sapphire is set as the centre of the body. The fly is finished with two round cut ruby eyes. The fly sits on a yellow metal bar brooch with a single pearl set at one end. The brooch is accompanied by the original velvet fitted box.
This whimsical piece is typical of the mid-Victorian jewellery period when realistically rendered insects became a popular motif. The fly brooch will sit beautifully on a blazer, coat or even a lighter fabric due to its size. An original antique, one of a kind piece.
Era: Victorian.
Metal: Silver & Gold.
Stones: Diamond: 0.60cts. Sapphire: 0.10cts. Ruby: 0.02cts.
Fittings: Pin & Hook.
Dimensions: Brooch: 5 x 2.5 cm. Box: 7.5 x 5cm.
The Arts & Crafts Movement
The Arts & Crafts movement was born as a reaction to mass produced, poor quality goods on the Victorian market.
The movement focused on traditional, handmade craftsmanship. William Morris waso ne of the founding members of the Arts& Crafts movement and sold his designs at Liberty London.
Jewellery of this era was handmade, usually featuring semi-precious stones set in silver, taking inspiration from Cymric motifs.
Ref: C9493A
An antique Arts & Crafts turquoise brooch by Murrle Bennett & Co. Set with a central turquoise cabochon, within entwined wire mounts in a whiplash designed setting. The Brooch is finished with a turquoise drop, that hangs with articulation.
Signed: MBCo. for Murrle Bennett & Co.
Era: Arts & Crafts
Metal: Stamped ‘15ct’ Yellow Gold.
Stones: Turquoise.
Fittings:
Dimensions: Length: 4.5 cm. Width: 2.5 cm.
Ref: C9498A
An antique Arts & Crafts bracelet by Theodor Fahrner. Comprising of a series of stylised silver links set with blue enamel, leading to a gem set clasp. The clasp is set with a single cabochon cut chrysoprase, with a shocking green colour, surrounded by silver beadwork.
Engraved: ‘To Elsa From Lilly’
Era: Arts & Crafts, Jugendstil.
Signed: Theodor Fahner.
Metal: Stamped ‘935’ Silver.
Stones: Chrysoprase. Enamel.
Fittings: Integrated Clasp.
Dimensions: Length: 170 mm. Width: 28 mm.
Ref: K7602A
An Arts & Crafts Cymric bowl by Liberty. Crafted from polished silver and set with four cabochon cut turquoise stones along the rim.
The Cymric range by Liberty & Co was one inspired by the medieval influences of the Arts and Crafts movement. Focussing on beautiful objects that were beautifully made, this bowl certainly has stood the test of time as a wonderful piece.
Signed: Liberty & Co Makers Mark
Era: Dated 1906.
Metal: Silver, UK Hallmarks.
Stones: Turquoise.
Dimensions: Diameter: 11 cm. Height: 6.5 cm.
Ref: K9206A
An antique gold and turquoise brooch signed Murrle Bennett & Co. Featuring a protruding cabochon turquoise, bezel set in yellow gold. The turquoise is surrounded by scrolled gold work and topped with three seed pearls.
Murrle Bennett & Co were an Anglo-German Arts and Crafts jewellery wholesaler who originally sold their pieces at Liberty London. Notable for their striking designs, it is rare to find pieces in 15ct gold, as they’re usually known for 9ct gold or silver. This brooch is a very striking piece with strong lines.
Signed: 'MBCo', Murrle Bennett
Era: Arts & Crafts, C. 1905.
Metal: Stamped '15CT', Tests as 15ct Yellow Gold.
Stones: Turquoise.
Fittings: Pin & Hook.
Dimensions: 28 x 25 mm.
Ref: K8620A
An Arts & Crafts enamel landscape brooch, signed Murrle Bennett & Co. The centre of the brooch contains a scenic image in polychrome enamel depicting a landscape. The scene is surrounded by hammer finished silver, with scroll detailing on either side. The reverse of brooch also enamelled with roman numeral 'VIII' in the centre.
This brooch is attributed to Charles Fleetwood Varley, a talented Arts & Crafts jeweller and enameler known for his beautifully detailed landscape scenes. Most of his work can be found on objects, such as boxes, and so it is very special to have a wearable scene in a brooch such as this.
Signed: Murrle Bennett & Co, attributed to Charles Fleetwood Varley.
Era: C. 1900.
Metal: Stamped ‘950’ Silver.
Stones: Enamel.
Fittings: Pin & Hook.
Dimensions: 4.3 x 2.4 cm.
Ref: K8618A
A Murrle Bennett & Co. brooch, circa 1900. Crafted in 15ct yellow gold, the brooch features three seed pearls in the centre of swirling gold work. An oval-cabochon cut turquoise is bezel set at the top, which balances a smaller articulated turquoise drop below, lending subtle movement and colour contrast to the piece.
A fine example of early 20th-century Arts and Crafts design from this celebrated Anglo-German partnership, and rarer still for its gold composition.
Era: Arts & Crafts.
Signed: Murrle Bennet & Co.
Metal: Stamped ‘15CT’ Yellow Gold.
Stones: Turquoise. Pearl.
Fittings: Pin & Hook.
Dimensions: Length: 3 × 2.5 cm.
Ref: K8786A
A Murrle Bennett & Co. boulder opal brooch, circa 1900. The brooch features an oval cabochon boulder opal, bezel set within an elegant openwork whiplash bar design characteristic of the Arta & Crafts period. The opal displays exceptional play of colour, shifting from deep purplish-blue to lilac and green-blue with vivid green scintillating flashes.
The brooch is presented in its original fitted case. A superb example of Murrle Bennett’s refined craftsmanship and distinctive Anglo-German design aesthetic, marrying natural beauty with graceful form.
Signed: Murrle Bennett & Co.
Era: Arts and Crafts, c. 1900.
Metal: Stamped ‘15CT’ Yellow Gold.
Stones: Boulder Opal.
Fittings: Pin & Hook.
Dimensions:
Ref: K8760A
A 1910s English Arts and Crafts brooch by Murrle Bennett, crafted in white metal in a pierced shield design with flowing whiplash wirework. At the centre sits an oval cabochon cut matrix turquoise, flanked by a white pearl on either side for balance and contrast.
This is a fine example of Murrle Bennett’s Arts and Crafts aesthetic with its emphasis on natural materials and fluid, hand-worked design
Signed: Murrle Bennett & Co.
Metal: Stamped ‘950’ Silver. Pin Tests 9ct Yellow Gold.
Stones: Turquoise.
Fittings: Pin & Hook.
Dimensions: 4 × 2.4 cm.
Ref: K8508A
An Arts & Crafts brooch in flowing 9ct gold, designed in a classic whiplash style and set with a vibrant high-fire Australian opal. The oval-cut opal is bezel set in warm yellow gold, with its shifting colours beautifully highlighted by the soft curves of the design.
Stamped 'MB&Co 9CT' for Murrle Bennett & Co., who are celebrated for their elegant designs and originally retailed at Liberty London. A refined piece that captures the spirit of early 20th-century craftsmanship, with the opal adding a luminous focal point to this elegant and expressive design.
Signed: Murrle Bennett & Co.
Era: Arts & Crafts.
Metal: Stamped ‘9CT’ Yellow Gold.
Stones: Opal: 0.20cts.
Fittings: Pin & Hook.
Dimensions: 4 × 1.5 cm.
Ref: K8506A
An elegant Arts and Crafts bracelet. Featuring alternating turquoise beads and creamy pearls, delicately linked with yellow gold wirework. The natural beauty of the stones is enhanced by the simplicity of the hand-finished design, showcasing the movement's hallmark appreciation for craftsmanship and organic materials.
Stamped ‘MB & Co’, this piece is by to Murrle Bennett & Co., renowned for their finely crafted jewellery and strong association with the Arts and Crafts and Art Nouveau movements. A graceful and wearable example of early 20th-century design.
Era: Arts and Crafts.
Metal: Stamped ‘9CT’ Yellow Gold.
Stones: Turquoise. Pearl.
Fittings: Spring Clasp.
Dimensions: Length: 18 cm.
Ref: K7530A
An arts and crafts amethyst festoon necklace. Featuring a central shield, with a beaded border and hammer finish, and a square pierced metal work centre set with an oval cut amethyst. Hanging from the shield is a pear cut amethyst, bezel set in silver. The pendant hangs from a fixed chain, with a festoon style double attachment.
This necklace is from the Jugendstil movement of Austria and Germany, which ran parallel to the Arts and Crafts movement in the UK. The pendant is attributed to Christian Seybold, a German designer known for his craftsmanship and hand finished details.
Era: Jugendstil. Circa 1908.
Attributed: Christian Seybold.
Metal: Silver.
Stones: Amethyst: 2.25cts.
Fittings: Spring Clasp.
Dimensions: Pendant: 3 x 4 cm. Chain: 46 cm (18”).
Ref: C9413T
An Art Nouveau / Secession style amethyst and dog-tooth pearl pendant. Featuring four calibre cut square amethysts, set in yellow gold with milgraine border. The pendant is made up of an architectural openwork gold, with a brushed finish and naturalistic patterns through the gold. Three pearls hang from bottom of pendant.
Era: Art Nouveau
Metal: Tests 14ct Yellow Gold
Stones: Amethyst: 1.50cts. Pearl.
Fittings: Articulated Bail.
Dimensions: Pendant: 3 × 6 cm.
Ref: K8508A
An Arts & Crafts brooch in flowing 9ct gold, designed in a classic whiplash style and set with a vibrant high-fire Australian opal. The oval-cut opal is bezel set in warm yellow gold, with its shifting colours beautifully highlighted by the soft curves of the design.
Stamped 'MB&Co 9CT' for Murrle Bennett & Co., who are celebrated for their elegant designs and originally retailed at Liberty London. A refined piece that captures the spirit of early 20th-century craftsmanship, with the opal adding a luminous focal point to this elegant and expressive design.
Signed: Murrle Bennett & Co.
Era: Arts & Crafts.
Metal: Stamped ‘9CT’ Yellow Gold.
Stones: Opal: 0.20cts.
Fittings: Pin & Hook.
Dimensions: 4 × 1.5 cm.
Ref: C4898T
An Art Nouveau bar brooch featuring three graceful female faces in profile, finely rendered in relief at the centre of the piece.
Art Nouveau motifs, especially the female form entwined with botanical elements, symbolise beauty, rebirth, and nature’s harmony. This brooch not only showcases exquisite craftsmanship but also embodies the romantic, free-spirited ethos of the era—making it a wearable work of art and a true collector’s piece.
Era: Art Nouveau.
Metal: Stamped ‘14K’ Yellow Gold.
Fittings: Pin & Safety Clip.
Dimensions: Width: 5 cm. Length: 1 cm.
The Art Nouveau
The Art Nouveau movement was rising in popularity in the late 19th Century, and Liberty became famous as a destination to buy items in the fashionable Art Nouveau style.
Liberty was so synonymous with this new fashion that the Italian Art Nouveau movement was known as ‘Stile Liberty’, Liberty style.
Art Nouveau jewellery is known for its sinuous lines and naturalistic shapes. Pieces from this era are highly sought after.
Art Nouveau and Arts & Crafts share motifs, both drawing inspiration from nature.
Liberty & Co.
Liberty soon started producing its own goods, including furniture, fabrics, pottery, and jewellery.
Some of the most famous jewellery designers were employed by Liberty, including Archibald Knox, Arthur Gaskin, Alan Jones, & Jessie M King.
Liberty jewellery is identified by the famous Liberty & Co hallmark, which is recognised the world over.
Ref: K7602A
An Arts & Crafts Cymric bowl by Liberty. Crafted from polished silver and set with four cabochon cut turquoise stones along the rim.
The Cymric range by Liberty & Co was one inspired by the medieval influences of the Arts and Crafts movement. Focussing on beautiful objects that were beautifully made, this bowl certainly has stood the test of time as a wonderful piece.
Signed: Liberty & Co Makers Mark
Era: Dated 1906.
Metal: Silver, UK Hallmarks.
Stones: Turquoise.
Dimensions: Diameter: 11 cm. Height: 6.5 cm.
Murrle Bennett & Co.
Murrle, Bennett and Company was a wholesale jewellers established in London in 1884 by Ernst Mürrle and Mr. Bennett. The firm produced jewellery in the German Art Nouveau style, also known as Jugendstil in Germany, meaning ‘youthful style’.
The company sold much of their jewellery at Liberty London. Their designs are often characterised by Celtic inspired interlacing elements, pierced geometric shapes, luminous enamels and enamels and semi-precious stones.
Ref: C9498A
An antique Arts & Crafts bracelet by Theodor Fahrner. Comprising of a series of stylised silver links set with blue enamel, leading to a gem set clasp. The clasp is set with a single cabochon cut chrysoprase, with a shocking green colour, surrounded by silver beadwork.
Engraved: ‘To Elsa From Lilly’
Era: Arts & Crafts, Jugendstil.
Signed: Theodor Fahner.
Metal: Stamped ‘935’ Silver.
Stones: Chrysoprase. Enamel.
Fittings: Integrated Clasp.
Dimensions: Length: 170 mm. Width: 28 mm.
Ref: C9493A
An antique Arts & Crafts turquoise brooch by Murrle Bennett & Co. Set with a central turquoise cabochon, within entwined wire mounts in a whiplash designed setting. The Brooch is finished with a turquoise drop, that hangs with articulation.
Signed: MBCo. for Murrle Bennett & Co.
Era: Arts & Crafts
Metal: Stamped ‘15ct’ Yellow Gold.
Stones: Turquoise.
Fittings:
Dimensions: Length: 4.5 cm. Width: 2.5 cm.
Ref: K9206A
An antique gold and turquoise brooch signed Murrle Bennett & Co. Featuring a protruding cabochon turquoise, bezel set in yellow gold. The turquoise is surrounded by scrolled gold work and topped with three seed pearls.
Murrle Bennett & Co were an Anglo-German Arts and Crafts jewellery wholesaler who originally sold their pieces at Liberty London. Notable for their striking designs, it is rare to find pieces in 15ct gold, as they’re usually known for 9ct gold or silver. This brooch is a very striking piece with strong lines.
Signed: 'MBCo', Murrle Bennett
Era: Arts & Crafts, C. 1905.
Metal: Stamped '15CT', Tests as 15ct Yellow Gold.
Stones: Turquoise.
Fittings: Pin & Hook.
Dimensions: 28 x 25 mm.
Ref: K8620A
An Arts & Crafts enamel landscape brooch, signed Murrle Bennett & Co. The centre of the brooch contains a scenic image in polychrome enamel depicting a landscape. The scene is surrounded by hammer finished silver, with scroll detailing on either side. The reverse of brooch also enamelled with roman numeral 'VIII' in the centre.
This brooch is attributed to Charles Fleetwood Varley, a talented Arts & Crafts jeweller and enameler known for his beautifully detailed landscape scenes. Most of his work can be found on objects, such as boxes, and so it is very special to have a wearable scene in a brooch such as this.
Signed: Murrle Bennett & Co, attributed to Charles Fleetwood Varley.
Era: C. 1900.
Metal: Stamped ‘950’ Silver.
Stones: Enamel.
Fittings: Pin & Hook.
Dimensions: 4.3 x 2.4 cm.
Ref: K8786A
A Murrle Bennett & Co. boulder opal brooch, circa 1900. The brooch features an oval cabochon boulder opal, bezel set within an elegant openwork whiplash bar design characteristic of the Arta & Crafts period. The opal displays exceptional play of colour, shifting from deep purplish-blue to lilac and green-blue with vivid green scintillating flashes.
The brooch is presented in its original fitted case. A superb example of Murrle Bennett’s refined craftsmanship and distinctive Anglo-German design aesthetic, marrying natural beauty with graceful form.
Signed: Murrle Bennett & Co.
Era: Arts and Crafts, c. 1900.
Metal: Stamped ‘15CT’ Yellow Gold.
Stones: Boulder Opal.
Fittings: Pin & Hook.
Dimensions:
Ref: K8618A
A Murrle Bennett & Co. brooch, circa 1900. Crafted in 15ct yellow gold, the brooch features three seed pearls in the centre of swirling gold work. An oval-cabochon cut turquoise is bezel set at the top, which balances a smaller articulated turquoise drop below, lending subtle movement and colour contrast to the piece.
A fine example of early 20th-century Arts and Crafts design from this celebrated Anglo-German partnership, and rarer still for its gold composition.
Era: Arts & Crafts.
Signed: Murrle Bennet & Co.
Metal: Stamped ‘15CT’ Yellow Gold.
Stones: Turquoise. Pearl.
Fittings: Pin & Hook.
Dimensions: Length: 3 × 2.5 cm.
Ref: K8760A
A 1910s English Arts and Crafts brooch by Murrle Bennett, crafted in white metal in a pierced shield design with flowing whiplash wirework. At the centre sits an oval cabochon cut matrix turquoise, flanked by a white pearl on either side for balance and contrast.
This is a fine example of Murrle Bennett’s Arts and Crafts aesthetic with its emphasis on natural materials and fluid, hand-worked design
Signed: Murrle Bennett & Co.
Metal: Stamped ‘950’ Silver. Pin Tests 9ct Yellow Gold.
Stones: Turquoise.
Fittings: Pin & Hook.
Dimensions: 4 × 2.4 cm.
Ref: K8506A
An elegant Arts and Crafts bracelet. Featuring alternating turquoise beads and creamy pearls, delicately linked with yellow gold wirework. The natural beauty of the stones is enhanced by the simplicity of the hand-finished design, showcasing the movement's hallmark appreciation for craftsmanship and organic materials.
Stamped ‘MB & Co’, this piece is by to Murrle Bennett & Co., renowned for their finely crafted jewellery and strong association with the Arts and Crafts and Art Nouveau movements. A graceful and wearable example of early 20th-century design.
Era: Arts and Crafts.
Metal: Stamped ‘9CT’ Yellow Gold.
Stones: Turquoise. Pearl.
Fittings: Spring Clasp.
Dimensions: Length: 18 cm.
Ref: K8508A
An Arts & Crafts brooch in flowing 9ct gold, designed in a classic whiplash style and set with a vibrant high-fire Australian opal. The oval-cut opal is bezel set in warm yellow gold, with its shifting colours beautifully highlighted by the soft curves of the design.
Stamped 'MB&Co 9CT' for Murrle Bennett & Co., who are celebrated for their elegant designs and originally retailed at Liberty London. A refined piece that captures the spirit of early 20th-century craftsmanship, with the opal adding a luminous focal point to this elegant and expressive design.
Signed: Murrle Bennett & Co.
Era: Arts & Crafts.
Metal: Stamped ‘9CT’ Yellow Gold.
Stones: Opal: 0.20cts.
Fittings: Pin & Hook.
Dimensions: 4 × 1.5 cm.
The Suffragette Movement
The fight for women’s suffrage during the late 19th Century was gaining popularity. Supporters of the movement started identifying one another by wearing the colours green, white, and violet.
The first letter of these colours G W V stood for
Give Women Votes
and they represented charity, purity, & hope.
These colours appeared in clothing, on sashes, but they are most well preserved in jewellery. Liberty was one of the pioneers of creating these fine works of art. Sometimes, violet would be exchanged for vermillion, bright pink, as in this brooch.
Ref: K9364VA
An antique hand brooch. Featuring a textured yellow gold hand, with an intricately decorated lace cuff, wearing a chain bracelet and a diamond ring. The hand is holding a flower, set with a ruby centre and seed pearl petals.
This beautifully made piece has been wonderfully thought through and is well crafted, even allowing the charm on the bracelet to hang freely.
Era: Dated 1904.
Metal: 9ct Yellow Gold. UK Hallmarks. Pin tests base metal.
Stones: Seed Pearl. Diamond. Ruby.
Fittings: Pin & Hook.
Dimensions: Measures: 35 x 15mm.
Ref: C4410T
An antique pearl and diamond bar brooch. Set across the bar are fifteen old cut diamonds, and a single cultured pearl sitting to one side. The brooch is crafted from yellow gold, with a platinum top typical of the period.
J.E. Caldwell & Co. was a prestigious American jeweller known for exceptional craftsmanship, renowned for fine diamonds and silverware. This beautiful brooch is a testament to the craftsmanship of a bygone era.
Era: Edwardian.
Stamped: ‘J E C F30907’ for J.E. Caldwell & Co.
Metal: Front Base Tests as Platinum. Hinge Tests 10ct Gold. Pin Tests 14ct Gold.
Stones: Diamond: 0.90cts. Pearl: 7 mm.
Fittings: Safety Clip Style Pin &
Dimensions: Length: 5 cm.
Ref: K8697A
An antique sapphire, diamond, and pearl pendant of exceptional craftsmanship. The square-shaped pendant centres on an old cut diamond and is surrounded by four pear cut sapphires, diamond set foliates, and a frame of seed pearls. The pendant is suspended from a diamond set foliate bar, and further sapphire and pearls. The necklace is finished with a fine figaro link chain.
This fine piece is a testament to French craftsmanship from the Belle Époque era. Dating from 1870 to 1914, jewellery from this time is distinguished by intricate craftsmanship and use of luxurious materials. Common motifs include floral patterns, garlands, bows, and delicate lace-like designs.
Era: Belle Époque.
Metal: 18ct White Gold Chain & Platinum Pendant. French Hallmarks.
Stones: Sapphire: 1.20cts. Diamond: 0.43cts. Pearl.
Fittings: Clasp.
Ref: C8284T
An antique, enamel parrot pin. Featuring a polychrome enamel parrot with gold feet, sitting on a branch. The parrot is set on top of the pin, with the tip of the pin level with the parrot’s head. The pin is finished with a safety pin style clasp in yellow gold.
Era: Edwardian.
Metal: Brooch: Stamped ‘15CT’ Yellow Gold. Pin: Stamped ‘9CT’ Yellow Gold.
Fittings: Safety Pin.
Dimensions: Parrot: 5 x 15 mm. Pin: 5 cm.
Ref: K7796A
An early 20th Century Wedgwood bar brooch. Featuring a central figure in ceremonial robes. The ceramic is surrounded by four polished gold beads, and milgraine finished gold-work, set on a yellow gold bar brooch.
A beautiful example of Wedgwood jewellery, this brooch stands out with its elegant design and the blue colour of the ceramic. Wedgwood jasperware is a type of pottery first developed by Josiah Wedgwood in England in the 1770s. It is characterised by its unglazed, matte ‘biscuit’ finish and produced in a number of colours, with blue being the most common. A one of a kind, antique pice.
Era: Edwardian.
Metal: 9ct Yellow Gold. UK Hallmarks, Birmingham 1913. Pin Tests Base Metal.
Fittings: Pin & Hook. Safety Chain.
Dimensions: Measures: 4.8 x 2.5 cm.
The Edwardian & Art Deco Era
As time went on and technology progressed so did jewellery design. The delicate and highly detailed jewellery of the Edwardian era moved into the sharp, geometric into the sharp, geometric lines of Art Deco.
Ref: B9503A
A vintage gold pencil. Featuring a sleek triangular form with fine engine-turned detailing along the body, offering both tactile elegance and visual appeal. The pencil operates with a twist mechanism at the top to reveal the lead and includes a fixed hook for attaching to a pocket or chain.
Housed in its original Caran d'Ache presentation box, this post-war piece is a refined example of functional luxury. Combining precision engineering with timeless design, it reflects the craftsmanship and sophistication associated with the renowned Swiss maker.
Era: Late Art Deco, c. 1940 - 1950s.
Metal: Stamped '18ct' Yellow Gold.
Dimensions: Width: 1 cm. Length: 13.2 cm. Box: 18 x 6 cm.
Ref: K9358VA
A vintage diamond set bee brooch by Herbert Roselthal. Set with multiple round brilliant cut diamonds in white gold in the body and in the wings. The bee is finished with textured yellow gold legs and a polished yellow gold head, set with two ruby eyes.
Herbert Rosenthal was an influential American jeweller and designer. Beginning his career in New York, Rosenthal gained prominence for innovative use of cut gems, precise workmanship, and refined, sculptural forms that balanced classical elegance with modern sensibility. He is best known for his collection of bee brooches, which are sought after by collectors all over the world today.
Signed: H Rosenthal.
Metal: Stamped ‘18K’, Tests 18ct Yellow & White Gold.
Stones: Diamond: 1.90cts.
Fittings: Pin & Safety Clip.
Dimensions: Length: 35 mm. Width: 35 mm. Height: 17 mm.
Ref: X0004A
A vintage charm bracelet with six articulated charms. The bracelet is made up of circular links, alternating large and small circles. The bracelet has six charms including:
A masonic ball, featuring a silver gilt ball that folds out into a cross shaped pyramidal structure, engraved with Masonic symbols. The ball sits in a yellow gold cage. Stamped '9CT SIL MADE IN ENGLAND'
A yellow gold tape recorder, crafted from fluted yellow gold. The front of the recorder is stamped 'TAPE RECORDER' and opens to show recording device. Hallmarked 9ct Yellow Gold.
A yellow gold seal, set with a bloodstone seal and a crafted yellow gold fish on top. The seal is un-engraved allowing for a crest to be engraved if one wished. Hallmarked 9ct Yellow Gold.
A shoe charm, to open and reveal the old mother in her shoe with her children. The figures are all in well preserved, colourful enamel. Hallmarked 9ct Yellow Gold, dated 1983.
A gold clam charm that opens. Crafted from textured yellow gold. Hallmarked 9ct Yellow Gold, dated 1965.
A treasure chest, opening to reveal gold treasure. The treasure includes a dagger, goblet, and a crown, while the outside of the chest is crafted from textured yellow gold. Hallmarked 9ct Yellow Gold, dated 1959.
Era: Bracelet dated 1957.
Metal: 9ct Yellow Gold. UK Hallmarks.
Fittings: Spring Clasp.
Dimensions: Length: 19 cm.
Ref: X0113T
A vintage yellow gold, tourmaline and diamond cocktail ring. Featuring a central marquise cut tourmaline in the centre of openwork yellow gold panels. The ring is a wide band, with a round brilliant cut diamond set flush into each side of the panel. The shoulders lead to a polished yellow gold band.
This unusual ring is reminiscent of the ‘space race’ era jewellery from the 1960s, fantastical pieces inspired by the machinery of the space age. A one of a kind, vintage rings.
Stamped: ‘Nina 18K 63’
Metal: Stamped ‘18K’, Tests as 18ct Yellow Gold.
Stones: Tourmaline: 0.96cts. Diamond: 0.22cts.
UK Ring Size: M 1/2.
Dimensions: Front Width: 18 mm. Band: 5 mm.
Ref: K8577A
A vintage pearl brooch by Garrad. Depicting a bunch of grapes made up of twelve white, round pearls. The grapes hang from three gold leaves with textured finish. Presented in original Garrard box.
Signed: Garrard.
Era: C. 1970.
Metal: 18ct Yellow Gold. UK Import Hallmark.
Stones: Cultured Pearl: 4.5 - 5 mm.
Fittings: Pin & Safety Clip.
Dimensions: 4 × 4 cm.
Ref: C8788T
A pair of galleon ship cufflinks, crafted in 14ct yellow gold by renowned British makers Deakin & Francis. Each cufflink features a square-cushion outline with a finely detailed galleon in relief on the front, showcasing expert craftsmanship and a bold nautical motif.
These cufflinks offer timeless style with a touch of maritime character. A distinguished accessory from one of England’s most respected jewellery houses.
Signed: Deakin & Francis.
Dated: 1956.
Metal: 14ct Yellow Gold. UK Hallmarks.
Fittings: Bullet Back.
Dimensions: Front: 2x2cm Full length: 2.5cm
Ref: C8431T
A large flower brooch. Featuring polished yellow gold petals, leaf, & stem. In the centre of the flower sits a cluster of fifteen, round white pearls, stacked to create a 3D effect.
This brooch is a playful, stylised flower. The brooch itself is remarkably large, but hollow, allowing the piece to be worn on delicate blouses. A one of a kind, vintage brooch.
Metal: 18ct Yellow Gold. Italian Hallmarks.
Stones: Pearl.
Fittings: Pin & Safety Clip.
Dimensions: Measures: 5 x 6.5 cm.
Ref: R1118A
A large, vintage, seahorse brooch, consisting of a textured yellow gold body, ruby hair, eyes, and tail, and diamond set fins. This brooch is brimming with charm and personality. Vintage, one of a kind.
Era: Circa 1960s.
Metal: 18ct. yellow gold.
Fittings: Pin and safety clasp fastening.
Dimensions: Length: 75 mm, width: 40 mm.
Ref: D1174T
A vintage diamond ring crafted in platinum. Featuring a central old European cut diamond of approximately 1.10 carats, double four claw set in platinum. Surrounding the centre is an asymmetrical cluster of tapered baguette cut diamonds, mystery set to create a seamless, geometric design. The setting flows into a plain polished platinum band.
A bold vintage design with strong architectural lines.
Era: C. 1950s.
Metal: Stamped ‘10% IRD PLAT’ for Platinum.
Stones: Diamond Total: 1.80cts. Centre: 1.10cts.
UK Ring Size: M.
Dimensions: Feature: 13 mm. Band: 2 mm.
Ref: C8788T
A pair of galleon ship cufflinks, crafted in 14ct yellow gold by renowned British makers Deakin & Francis. Each cufflink features a square-cushion outline with a finely detailed galleon in relief on the front, showcasing expert craftsmanship and a bold nautical motif.
These cufflinks offer timeless style with a touch of maritime character. A distinguished accessory from one of England’s most respected jewellery houses.
Signed: Deakin & Francis.
Dated: 1956.
Metal: 14ct Yellow Gold. UK Hallmarks.
Fittings: Bullet Back.
Dimensions: Front: 2x2cm Full length: 2.5cm
Ref: B9503A
A vintage gold pencil. Featuring a sleek triangular form with fine engine-turned detailing along the body, offering both tactile elegance and visual appeal. The pencil operates with a twist mechanism at the top to reveal the lead and includes a fixed hook for attaching to a pocket or chain.
Housed in its original Caran d'Ache presentation box, this post-war piece is a refined example of functional luxury. Combining precision engineering with timeless design, it reflects the craftsmanship and sophistication associated with the renowned Swiss maker.
Era: Late Art Deco, c. 1940 - 1950s.
Metal: Stamped '18ct' Yellow Gold.
Dimensions: Width: 1 cm. Length: 13.2 cm. Box: 18 x 6 cm.
Beyond Arts & Crafts
Liberty has had a lasting impact on the design world, through the swinging 60s to today. Liberty was famous for fine opal jewellery, a trend we still see today.
Liberty’s has a lasting legacy of design, even after 150 years.
Ref: C8788T
A pair of galleon ship cufflinks, crafted in 14ct yellow gold by renowned British makers Deakin & Francis. Each cufflink features a square-cushion outline with a finely detailed galleon in relief on the front, showcasing expert craftsmanship and a bold nautical motif.
These cufflinks offer timeless style with a touch of maritime character. A distinguished accessory from one of England’s most respected jewellery houses.
Signed: Deakin & Francis.
Dated: 1956.
Metal: 14ct Yellow Gold. UK Hallmarks.
Fittings: Bullet Back.
Dimensions: Front: 2x2cm Full length: 2.5cm